BARBARA BENISH

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  • PALAPALA

    • Rhine River 2021-22
    • Worm & the Whale
    • Mni Wiconi 2018
    • Sea Weeds 2016
    • Ubiquity 2011-12
    • Gyres 2011
    • Chemicals
    • Period, 1991
    • Wearable Art 1980's
    • Tapa 1980-2

  • ENCUENTRO

    • Lunuda Bay
    • La Conquistadora
    • Skins
    • Hybrid Histories

  • APOCALYPSE

    • Things Fall Apart
    • Durer
    • Book of Revelations
    • Rhyme nor Reason
    • Revelations 1993
    • Hell
    • Šum Šum
    • Klenova Castle Festival
    • War
    • Sky Diaries

  • EMANCIPATION

    • Black Dancers
    • Water Enough for One Root
    • Snake Dance
    • Fausts Bed
    • Stone Sky
    • Bride in the Enclosed Garden
    • Song of Songs (2006-16)
    • Picasso is Female
    • Tunnel
    • Emancipation into Solitude

  • POLIS

    • Swan Songs
    • Rockin' Horse
    • Artist/Activist
    • Hawa'ii
    • Echo Park Mural, LA
    • Artwall
    • Venice Biennale
    • Egg
    • Map and Sip
    • The Tree of the Middle Place

  • BOHEMIA

    • Miller's Wife
    • Haystacks
    • Histories
    • Bohemian Elegies
    • Venus

  • ARBOR

    • Black Snake 2020
    • Cauldron
    • Poppies
    • O Belgrade! 2009
    • The Giving Tree
    • Flower Power
    • Criss-Cross/Bruntal
    • Rosmarinus
    • Tree, 1991
    • Avalon
    • Globe
    • Toy Boats in the Garden

  • WORDS

    • Press
    • CV
    • Reviews, Essays, & Interviews
    • the Bride in the Enclosed Garden 2003
    • Hybrid Histories, 2000
    • Hybrid Histories, 1999
    • Interview with Umelec Magazine
    • Úvodni Slovo K Vernisazi (GHM Plzen)
    • Shifted Focus-Distance and Identity
    • HEAVAN AND HELL REVIEWS
    • Apokalypsa 1994
    • PALAPALA REVIEWS
    • BOHEMIA REVIEWS
    • Encuentro Reviews
    • Behold the Rich Ores, 1992
    • Kafkas Swimming Pool
    • Water Enough for One Root
    • EMANCIPATION REVIEWS
    • Plasy Monastery, Toy Boats
    • I Try to Work With Beauty, 1992

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